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Finally, we have the remarkable Ticking Clock Motif, a tension device which was brilliantly conceived and executed.
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In many ways, Tiomkin speaks to appearances, not the covert emotional drivers of Margot and Tony. To the casual observer, their home seems idyllic, is beautifully adorned and decorated, and luxurious. The Wendice Theme speaks to the Wendice house and offers a scherzo by bubbling woodwinds and strings animato, which emote with joie de vivre. Most interesting is how its articulation becomes plaintive and ultimately deconstructed as their illicit affair is exposed.
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It emotes as a graceful, free flowing valzer romantico, which just carries us away. It offers a lush string born identity with a vintage 1950s sensibility. The Love Theme supports the romance of Margot and her paramour Mark, not her husband Tony. He composed two primary themes and one motif. To that end he crafted a fine theatrical score, which enhanced Hitchcock’s vision. Tiomkin understood that this was a suspense-thriller film with an amazing intersection of overt and occult emotions including deception, illicit love, betrayal, blackmail, revenge and greed. As such, he was the natural choice to score the film. However, despite favorable reviews it was not nominated for any Academy Awards.Īlfred Hitchcock had enjoyed his previous collaborations with Dimitri Tiomkin with Shadow of a Doubt (1944) and I Confess (1951), so much so that they became friends and often socialized together. The film was a commercial success, earning $6 million, more than four times its production cost of $1.4 million. He ruthlessly blackmails his friend Alexander Swann, a small time criminal into murdering Margot, yet there is no perfect murder and when the attempt goes awry Margot is ultimately exonerated and Tony revealed as the architect of the failed murder plot. By chance he discovers that Margot has been having an affair with Mark Halliday, an American crime fiction writer and plots to avenge himself by murdering her and securing her enormous fortune.
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Englishman Tony Wendice is married to beautiful wealthy socialite Margot and is winding down his career as a professional tennis player. The story offers a sordid tale of infidelity, revenge, blackmail, deception and murder. Despite these setbacks he never the less secured a fine cast which included Ray Milland as Tony Wendice, Grace Kelly as Margot Mary Wendice, Robert Cummings as Mark Halliday, John Williams as Chief Inspector Hubbard, and Anthony Dawson as Alexander Swann. Cary Grant would not accept the role of a villain, and Olivia de Havilland demanded too much money for his modest budget. His first choices for the lead roles did not pan out. Hitchcock would produce and direct the film with a modest budget of $1.4 million. Warner Brothers Studios had Alfred Hitchcock under contract and when his effort to film “The Bramble Bush” failed to get off the ground they directed him to begin production on “Dial M For Murder”. Renowned producer Alexander Korda saw opportunity and purchased the film rights, and after the success of the stage productions sold them to Warner Brothers for a handsome profit. Its popularity led to stage productions in London and New York that were also successful.
English playwright Frederick Knott introduced his story “Dial M For Murder” in 1952 as a play for television.
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